Learning to be Honest

It's harder than you think.

77 notes

This film was lovely.  Gorgeous.  A stunning portrayal of a classic novel.  Perfect casting.  The film’s “show, don’t tell” morality of characterization allowed viewers to take part in the movie, to adhere a part of themselves to Jane or Rochester, or even locked-away Bertha.  The gothic elements of the novel are brought to life, and at times, the film feels a bit like a horror movie, as it should.  Even though two of my favorite scenes of the whole novel were cut - Rochester impersonating the fortune-teller and Bertha ripping Jane’s wedding veil (which is luckily preserved in creepy mastery in the deleted scenes) - the film does manage to capture the primary elements of the novel that are necessary to the development of its characters and plot.  What’s more: it does this while utilizing breathtaking cinematography and lighting.  This is what a book-to-film translation should look like.

This film was lovely.  Gorgeous.  A stunning portrayal of a classic novel.  Perfect casting.  The film’s “show, don’t tell” morality of characterization allowed viewers to take part in the movie, to adhere a part of themselves to Jane or Rochester, or even locked-away Bertha.  The gothic elements of the novel are brought to life, and at times, the film feels a bit like a horror movie, as it should.  Even though two of my favorite scenes of the whole novel were cut - Rochester impersonating the fortune-teller and Bertha ripping Jane’s wedding veil (which is luckily preserved in creepy mastery in the deleted scenes) - the film does manage to capture the primary elements of the novel that are necessary to the development of its characters and plot.  What’s more: it does this while utilizing breathtaking cinematography and lighting.  This is what a book-to-film translation should look like.

(via arnours)

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    say what you will, but it’s still one of my favorite movies of 2011
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